BIAS FX is one of our favorite guitar amp simulators for Mac and PC. BIAS FX 2 is the latest build of the software and below you’ll find the complete BIAS FX amp list…
When it comes to amp simulators, BIAS FX 2 is currently my #1 favorite software for my computer. It’s cheap enough for every type of player, it is simple to use, and it features a myriad of amps and effects.
I switched to running my guitar through my computer a couple of years back. I have all my guitar gear in my office, I don’t have anymore room for amps or pedals, so I decided to go minimal and use digital amps.
I use BIAS FX for recording and when I’m practicing; I just plug my headphones in – or use a pair of Bluetooth set – and I can play around with HUGE sounds from my iMac’s display. And the best part? BIAS FX 2 is really cheap to buy – around $50 for the basic package.
We also have a guide detailing ALL the differences between BIAS FX and BIAS FX 2, it’s worth a look if you’re currently using the first-gen software and are thinking about upgrading.
And when it comes to amps for BIAS FX, you have an OCEAN of options, as you can see below…
Low Gain Amps
| Name | Inspired by | Standard | Professional | Elite |
| 67 Blackface V2 | Fender Blackface Super Reverb | * | * | * |
| 69 Duo Verb V2 | Fender Twin Reverb | * | * | * |
| 77 Silver Tone V2 | Fender Vibro Champ Silverface | * | * | * |
| 59 Tweed Lux V2 | Fender Deluxe Reverb | * | * | * |
| 66 AC Boost V2 | Vox AC30 | * | * | * |
| 76 Jazz Combo | Roland JC120 | * | * | * |
| Gret 6156 | Gretsch 6156 Playboy | * | * | * |
| 94 MATCH DC V2 | Matchless DC30 | * | * | |
| PhD Z V2 | Dr.Z PhD | * | * | |
| Clean Master V2 | PG Original | * | * | |
| 67 Dumble Clean | PG Original | * | * | |
| Solo Star | PG Original | * | * | |
| Supreme Clean | Fuchs Overdrive Supreme | * | ||
| PhD W | Dr.Z Z Wreck | * | ||
| Super Reverb | Fender Super Reverb | * | ||
| AD Clean | Orange AD 30 | * | ||
| BB Clean | Marshall Bluesbreaker | * | ||
| JM45 Clean | Marshall JTM45 Clean | * | ||
| Dumble 50 | Dumble ODS 50 | * | ||
| AC Hand-wired | Vox AC30 Handwired | * | ||
| Super Amp | Fender Super Amp | * |
Crunch Amps
| Name | Inspired by | Standard | Professional | Elite |
| British OR30 V2 | Orange AD30 | * | * | * |
| 69 Plexiglas V2 | Marshall Super Lead 100 | * | * | * |
| British Lead 800 | Marshall JCM800 | * | * | * |
| Two Stone SP50 | Two Rock Studio Pro 50 | * | * | * |
| Overdriven JM45 | Overdrived Marshall JTM45 | * | * | * |
| Overdriven Lux Verb | Overdrived Fender Deluxe Reverb | * | * | * |
| Hiway DR103 | Hiwatt DR103 | * | * | * |
| Grid Crunch V2 | PG Original | * | * | |
| British Rock 50 V2 | Orange Rockverb 50 | * | * | |
| Modded Plexi V2 | PG Original | * | * | |
| Pushed Tweed V2 | PG Original | * | * | |
| Lanny 50 V2 | Laney GH50R | * | * | |
| Super Sonic V2 | Fender Super Sonic Twin | * | * | |
| D13 FTR | Divided by 13 FTR37 | * | * | |
| Paul Arch | Paul Reed Smith Archon 100 | * | * | |
| 87 Jubilee | Marshall Silver Jubilee | * | * | |
| Super Jimi Clean | Marshall Super 100JH | * | * | |
| Dual Rev | Fender The Twin CH2 | * | ||
| 1968 Crunch | Marshall JMP Plexi 1968 | * | ||
| Overdriven Vibro | Fender Vibroverb w/ TS808 | * | ||
| Overdriven Deluxe | Fender Deluxe Reverb w/ TS808 | * | ||
| AC Crunch HW | Vox AC30 Handwired Overdrived | * | ||
| PhD 18 | Dr.Z Maz18 | * | ||
| PhD Lux | Dr.Z Z -Lux | * | ||
| American Crunch | Mesa Boogie Lonestar CH2 | * | ||
| Checkmate | Teisco Checkmate20 | * | ||
| Vintage Crunch | Guyatone GA930 | * |
High Gain Amps
| Name | Inspired by | Standard | Professional | Elite |
| 92 Treadplate V2 | Mesa Boogie Triple Rectifier | * | * | * |
| 04 Insane V2 | Peavey 5150 | * | * | * |
| Invader | Engl Invader 100 | * | * | * |
| Mark V CH3 | Mesa Boogie Mark V | * | * | * |
| 92 VH4 | Diezel VH4 | * | * | * |
| SLO SP88 | Soldano SP77 | * | * | * |
| SwitchAxe Lead | H&K Switch Blade lead channel | * | * | * |
| Modded Mark IIc+ V2 | Mesa Boogie Mark IIc+ | * | * | |
| Insane SATAN V2 | Randall Satan | * | * | |
| Ecstasy 101 V2 | Bogner Ecstasy 101 | * | * | |
| German Fire V2 | Engl Fireball 100 | * | * | |
| Snake’s Lead 800 V2 | Marshall AFD100 Slash Signature | * | * | |
| High Gain EL34 V2 | PG Original | * | * | |
| BE 101 | Friedman BE100 | * | * | |
| Slayer King | Marshall 2203KK Kerry King Signature | * | * | |
| Black Bull | VHT Pitbull | * | * | |
| Insane Roadie | Mesa Boogie Roadking | * | ||
| Black 100 | ENGL RB100 | * | ||
| American High Gain | Mesa Boogie JP-2C | * | ||
| Cobra | Framus Cobra | * | ||
| Insane 6508 | Peavey 6505 | * | ||
| Insane Hargen | Diezel Hargen | * | ||
| RD 53 | Randall RD45 | * | ||
| Pushed Mark IV | Mesa Boogie Mark IV | * | ||
| RD V2 | Randall V2 | * | ||
| Classic Insane | Mesa Boogie Triple Rectifier CH3 | * | ||
| Lighting | Matchless Lighting | * | ||
| YM100 | Marshall YJM100 Signature | * | ||
| Two Stone Lead | Two Rock Bi-Oynx Lead CH | * | ||
| 1979 British Hi Gain | Marshall JMP Plexi 1979 | * |
Acoustic Amps
| Name | Inspired by | Standard | Professional | Elite |
| Acoustic Sim V2 | PG Original | * | * | * |
| Flat Acoustic | PG Original | * | * | * |
| Keyboard Amp | PG Original | * | * | * |
| Acoustic Amp V2 | PG Original | * | * | |
| Fat Acoustic V2 | PG Original | * | * |
Bass Amps
| Name | Inspired by | Standard | Professional | Elite |
| 69 Blue Line V2 | Ampeg SVT Blue Line | * | * | * |
| GK 800 V2 | Gallien-Krueger 800RB | * | * | * |
| Metal Bass | Mesa Boogie Subway D-800 | * | * | * |
| DR201 Custom | Hiwatt DR201 | * | * | * |
| British Lead Bass | Marshall Super Bass | * | * | * |
| 67 T15 | Ampeg B-15 | * | * | * |
| 700 RB V2 | Gallien Krueger 700RB-II | * | * | * |
| Bass 360 V2 | Acoustic 360 | * | * | |
| Supra Bass V2 | Fender Super Bassman | * | * | |
| Sunny 3000 | Sunn 300T | * | * | |
| H5001 | H5000 | * | ||
| MM25 | Mini Mark II | * | ||
| Hammer 500 | Aguilar Tone Hammer 500 | * | ||
| 400T | Ampeg SVT 400T | * | ||
| MB T500 | Markbass TTE 500 | * | ||
| W600 | Eden WTP600 | * | ||
| TE V5001 | Trace Elliot V Type 5001 | * |
If you want a complete breakdown of how BIAS FX 2 works and what it can do, check out my guide to getting started with BIAS FX 2, it covers pretty much everything.
All you need is a way to connect your guitar to your computer; once you have that, you can start recording and sounding like you have a $1000 guitar rig.
As noted in the intro, BIAS FX 2 is not expensive. You can download a copy for less than $50 (or £43 in the UK).


